The Twilight of the Idols and the Anti-Christ

In these two devastating works, Nietzsche offers a sustained and often vitriolic attack on the morality and the beliefs of his time, in particular those of Hegel, Kant and Schopenhaur. Twilight of the Idols is a ‘grand declaration of war’ on reason, psychology and theology that combines highly charged personal attacks on his contemporaries with a lightning tour of his own philosophy. It also paves the way for The Anti-Christ, Nietzche’s final assault on institutional Christianity, in which he identifies himself with the ‘Dionysian’ artist and confronts Christ; the only opponent he feels worthy of him.

In his introduction Michael Tanner discussed the themes of Nietzche’s argument and places the works in their historical and philosophical context.

In these two devastating works, Nietzsche offers a sustained and often vitriolic attack on the morality and the beliefs of his time, in particular those of Hegel, Kant and Schopenhaur. Twilight of the Idols is a ‘grand declaration of war’ on reason, psychology and theology that combines highly charged personal attacks on his contemporaries with a lightning tour of his own philosophy. It also paves the way for The Anti-Christ, Nietzche’s final assault on institutional Christianity, in which he identifies himself with the ‘Dionysian’ artist and confronts Christ; the only opponent he feels worthy of him.

In his introduction Michael Tanner discussed the themes of Nietzche’s argument and places the works in their historical and philosophical context.